Fire of Mercy, Heart of the Word, Vol. I

Fire of Mercy, Heart of the Word: Meditations on the Gospel According to Saint Matthew I am reading through Fire of Mercy, Heart of the Word, Vol. I, Erasmo Leiva-Merikakis’ commentary on the Gospel of Matthew. You can see all of my posts on this subject here.

Having spent the last week with Erasmo Leiva-Merikakis’ Fire of Mercy, Heart of the Word, Vol. I, I’m now ready to give some preliminary impressions: preliminary because I’ve not read the whole thing, or even a tenth of it. But I spent an hour with it on Monday evening, and half-an-hour each morning since, and I think I’ve got the flavor of it.

Bottom line: I love it. It’s a keeper.

To recap, I got this book after praying for help from God to jumpstart in me a deep love of scripture. I want that precisely because the scriptures are a chief way God chose to use to make himself known to us. They are, in a sense, incarnational; and as St. Jerome said, ignorance of the scriptures is ignorance of Christ. Conversely, to know Christ one must know the scriptures, and to love Christ one must love the scriptures.

And Erasmo clearly loves the scriptures. It’s clear in every line. He has read them, tasting the words, chewing on the meaning, and coming to know the Lord he loves through them, and he has made his meditations available to us.

The book begins with a lengthy introduction (around fifty pages) entitled, “A Cordial Reading of God’s Word,” which gives Erasmo’s approach to the project. These fifty pages (or, at least, the thirty or so that I’ve studied) might be worth the price of the book all by themselves. Here’s a sample:

The principal care of one who would make his house within Christ’s Word must be to allow the sacred text all its importance, all its resonance, all its radiance and centrality. He will ceaselessly allow it to occupy the central “block” of both his page and his loving attention, as in those manuscript commentaries on The Book in the Middle Ages—of Jewish, Christian, or Moslem origin—which display a minimal portion of the inspired text within a solid square in the middle of the page and whose thick margins, on four sides, became more and more crowded with the glosses of scribes who prayed, studied, memorized, and recopied—in a word, celebrated—the text inexhaustibly.

Not only is the Word of Scripture central to the study of Christ, it is to be central to our lives. The page with the Word at its center and glosses around the outside is to be the model for my life: my life is to be a gloss on the Scripture.

Every page is like this: every page has some fact, some link, some relation, some metaphor, rooted in the Word, rooted in the Faith, rooted in the Liturgy, that opens my eyes and begins to lift me up to heaven. I could multiply examples endlessly, but if I gave as many as I’d like then I’d certainly be hearing from the the Copyright Cops. But here’s one more example, in paraphrase.

At one point, while talking about the importance of the Greek text, Erasmo notes that the word St. Paul uses in Letter to the Ephesians for the “offering” of the temple sacrifices is the same word Matthew uses when people “bring” the sick and lame to Jesus to be healed. The sacrificial victim must be spotless, without flaw; and when folks bring their loved ones and “offer” them to Christ, he heals them, makes them clean and spotless, so that he can in turn offer them to God. And this adds a crucial element to the scene:

The situation in Matthew is then enhanced from a merely thaumaturgic one (even if this is establishing Christ’s crucial identity as Messiah) to a cultic, mystagogical, and even eucharistic one.

Jesus is not just a magician, not just a wonder-worker: in healing those brought to him, he is foreshadowing what he came to Earth to do for all of us on the cross.

In addition to reading and studying the opening essay, I’ve been spending some time each morning with the actual scripture of Matthew and Erasmo’s meditations on it. I’ve gotten partway through verse 19 of Chapter 1, which is slow going consider that the first 16 or 17 verses are all begats. (There are important lessons in the begats!) And my experience with these shorter meditations is similar to my experience with the opening essay: on every page there’s a connection I had not made, an image that will stick with me and enrich all future readings. I hope to have more to say about some of them in coming days and weeks.

In the meantime…if anything I’ve said appeals to you, go ahead and get a copy. I think you’ll find it to be worthwhile.

Scripture Incarnate: Matthew 1:1

Fire of Mercy, Heart of the Word: Meditations on the Gospel According to Saint Matthew I am reading through Fire of Mercy, Heart of the Word, Vol. I, Erasmo Leiva-Merikakis’ commentary on the Gospel of Matthew. You can see all of my posts on this subject here.

Erasmo’s view of scripture is deeply incarnational. Jesus is the incarnate Word of God; and the purpose of scripture is too bring us face to face with Him. Though the Bible, God’s word written, is not in itself divine, still:

The written word of the evangelist: Is it not an incarnation of the spirit of his spoken word, breathed from his mouth of flesh on the roads of Palestine?

And this is why Erasmo bases his commentary on the original Greek text of Matthew’s gospel. Nothing about the Incarnation of Christ is an accident: not the time, not the place, and not the people. If we accept God’s omnipotence, then we have to say that the Gospel was ultimately recorded in Koine Greek because that’s the way the Lord wanted it. It’s worth looking at it that way, to see what we might see. (And then, Erasmo quotes a Hassidic proverb: “To read the Scriptures in translation is like kissing your wife through a handkerchief.”) Not, I hasten to add, that you need to know Greek to read this book, which is fortunate because otherwise I wouldn’t be able to read it.

Erasmo begins his commentary with the title of the work, “good tidings according to Matthew”. And here again we see the Incarnation at work. Christ is God Incarnate, the fullest Revelation of God to His people. To know the Father, we must know the Son. And the principle way we know the Son is through his witnesses, and especially through the four evangelists.

We might put it like this: Christ, God Incarnate, is the embodied revelation of God, and the content of that revelation. The Church—the Apostles and their heirs, the multitude of saints, and all the rest of us—as the Mystical Body of Christ is also in a way the embodied revelation of God, and specifically the means of transmitting that revelation. The Church says that general revelation ended with the Apostles, and this is certainly true, but in another sense revelation is continually on-going as we encounter Christ in the scriptures and pass Him along to others. The content of revelation is unchanged and unchanging, but Christ will continually reveal it to each of us, if only we let Him. Erasmo says,

We come to see who God is and experience the depth of his love only by being taken up into the faith of the saints (in this case, St. Matthew), those who proclaim to us by the witness of their life and words the reality of the God who inhabits them.

When God descends to earth and enters human history, He doesn’t do so by halves.

A Cordial Reading of Scripture

Fire of Mercy, Heart of the Word: Meditations on the Gospel According to Saint Matthew I have a dirty little secret.

I don’t really like reading the Bible all that much. I mean, I’ve read it; all of the New Testament and much of the Old, much of it multiple times. I look at a passage of the New Testament and it tends to go in one eye and out the—well, you know what I mean. And this is not a Good Thing, especially for a Lay Dominican, given that Study is one of the four pillars of Dominican life.

Mind you, I studied obsessively during my first few years as a Catholic revert. The Faith was my current interest, and I burrowed into it with vigor. But interests wax and wane, and other things have my attention at the moment.

Which is why God made promises. I vowed to love my wife when I married her, in preparation for those times when loving unselfishly is difficult. And as a Dominican I promised to continue to study the Word, in preparation for those times when other things look shinier, and when I’m tired in the morning and just don’t want to do it. And during Lent I came face to face with the fact that this is one of those times, and that I need to get moving.

At times like these, prayer is indicated: the kind of prayer where you say, “Lord, I don’t want to read your word, but I want to want to read your word. Please help!” And I’d been praying this kind of prayer during Holy Week.

So on Holy Saturday I was at Barnes & Noble with Jane, and saw a book: Volume III of Fire of Mercy, Heart of the Word by Erasmo Leiva-Merikakis, published by Ignatius Press. I noticed it because it had the usual Ignatius spine, and because it was HUGE, 870 pages, dwarfing all of the books around out. So I pulled it out and took a look. It was subtitled, “Meditations on the Gospel according to St. Matthew”. Not the whole gospel, mind you; chapters 19 to 25 only. Turns out he covers chapters 1 to 11 in the first volume (746 pages), and chapter 12 to 18 in the second volume (800 pages), and he still has three chapters left to go; I’m expecting that the fourth volume, if he manages to publish it, will be 1200 pages at least.

I nearly recoiled in horror, but instead I took a closer look.

It’s a verse by verse commentary on the Gospel of Matthew, beginning from the Greek text. It is intended to be a cordial reading of the Gospel, a reading from the heart. It is intended to be read in the context of the Church and its teachings. It is intended to be part of an encounter with the Living God through His Word written.

Did I mention that Matthew was St. Dominic’s favorite gospel? He carried it with him everywhere.

Interesting, I thought. If only I had the time to plow through something so big. And I walked away.

I think I got about eight feet away before I turned around and went back. When you ask God for something, it’s unwise to walk away from the answer.

Naturally, B&N only had the third volume. So I ordered a copy of the first volume (from Amazon, on my cell phone; sorry, B&N!), and it arrived today. I spent an hour during my daughter’s dance class reading the (first part of) the introduction. And I’m more convinced than ever that my running across it on Saturday was an answer to prayer.

This post is long enough; I’ll have to say more about the book in the coming days. (If I don’t, nag me!)

Belief in the Future

Some while back, author Sarah Hoyt offered to do a blog tour in support of her upcoming book Darkship Renegades. I should say, in support of her then upcoming book Darkship Renegages, because said book came out some while back while our Sarah was afflicted with the ‘flu. She asked me for a topic, and I proposed “science fiction and religion”. Here’s the post she was kind enough to send me. Meantime, I liked Darkship Renegades, the sequel to Darkship Thieves; see my review of Darkship Thieves, and if it sounds appealing go get ’em both.

And with that, here are Sarah’s comments on science fiction and religion, with special reference to Darkship Renegades and also to A Few Good Men, a related book.


Belief In The Future
by Sarah A. Hoyt

Science fiction and religion don’t work well together. Our fore-writers seemed to hold on to the quaint notion that in a sufficiently advanced future there would be no religion. That notion was, I grant you, pleasing at least at the time, but religion and humans don’t seem to interact that way. There is no such thing as a knowledge of science vast enough that it banishes the ache of being human which religion addresses. Those who think they are free of religion are merely transferring their fervor to something else – religious, ethical – sometimes ironically the very denial of religious feeling.

And although this is by no means always true, most of the time religion is brought into science fiction it is in opposition to science, or as the foe to be conquered.

This is also not always true or a given. To some extent, early science progressed hand in hand with religion. All religions might go through an anti-science phase, or be anti-science in certain regions or times, but the same curiosity about something bigger than ourselves, in the end, extends to both religion and science.

Only, of course, religion is not logical. It is not logical because it’s not meant to be, because the questions it answers (and gets out of the way) are those that typically have no answer, like “What is the purpose of life” and “what is the sound of one hand clapping.” (Okay, the last one is not, that I know, part of any religion, but it IS the type of imponderable religion addresses.)
The problem, then, with most religion – even the most respectful – brought into a science fiction world and created by a science fiction writer is that the writer usually tries to make it logical.
Look, we can’t help it. We try to make our magic logical, we try to make our history logical, and perforce, if it’s going into a book, the religion we just created gets kicked, shoved, and made – by gum! – logical. Which means unless it’s not a real religion, but something, say, dictated by a computer, or aliens, it won’t impress any religious reader as a true religion.
I had a strong advantage in this, because frankly I don’t write in a logical fashion. No, please, don’t assume this means my world building makes no sense, or that thought doesn’t go into it. I mean that after I do all that planning work in advance, I’ve found it’s more productive to let my subconscious drop its bombs in. I’ve found that often, when I don’t know what I’m doing my subconscious does.

I have, in other circumstances, referred to this as plotting by fits of brilliance. Oftentimes those fits of brilliance end up having to be written out in the final draft. Sometimes they get left in to pad the world. And sometimes, years later, while I’m Standing On the Corner, Minding My Own Business, a forgotten bit of brilliance will explode into a full story.

To an extent that was the case with the Usaian religion in the Darkship world. I hadn’t planned on having religions. Or rather, they’re mentioned, but my main character, Athena Hera Sinistra was not, for logical reasons when you read the book, brought up religious. In fact, she makes a fine muddle of all religions in her mind.

So, there it was, in the outline of the first book, Darkship Thieves, a little scene where Athena sells a gold ring to a pawn shop. My intention was to have this be the moment when she realizes there are practical as well as ethical advantages to not conning and lying your way through life.

I wanted the shop keeper to radiate integrity, even though he deals in “shady” and his entire community is probably illegal. So it occurred to me to make him a member of a proscribed religion. Because I didn’t want to offend any existing religions, and because (though Communism is a religion in that world) I didn’t want him to be a Communist because, well… he’s a merchant and clearly a good one, so I blithely made him a Usaian. (The name coming from the fact someone had just used it, derogatorily at me.) I had great fun having Athena think the eagle is a war god, and such. Fine. A piece of whimsy. Right.

Er…

My subconscious had other plans.

I had for some time planned to write a revolution in that world. Or rather, I wanted to write several revolutions, one of them being modeled after the US. Only… Well, I believe in the constitution because while I think our system of government is horrible, it’s the best the world has come up with, as far as I can tell.

However, in a far future, when history has been distorted and vast portions of it erased, why should anyone fight for Life, Liberty and the Pursuit of Happiness?

And there, in my mind in both Darkship Renegades and A Few Good Men were the Usaians, who carried those principles through the ages as received wisdom and with them the certainty that G-d intends them to rebuild the republic.

We get the religion through the eyes of someone who is being converted to it. (There will be more in twenty five years, the last book – not twenty five of my years, I hope – through the eyes of someone raised in it.) So what we hear is what his mentors believe, which might not be an accurate depiction of the faith, as such.

What we do get is gloriously contradictory. While the character is assured he doesn’t even have to believe in the afterlife, later in the story there is a family ceremony to consign someone who’s died to being born again in a free land (not clear if it’s reincarnation or another world.)

Of course, every religion has the official theology, and a “low church” of superstitions and ways of doing things that have accrued as folk religion, sometimes borrowed from other, older faiths.
It is the little contradictions that makes the religion feel real.

But there is something else – through their imperfections and struggles, it is the religion that gives the characters the sense of duty and the sense of belonging to something greater than themselves.

This made up religion, born of a moment’s whimsy, gives my characters’ dignity and strength that even I can’t mock. It makes them decent, even when they don’t want to be. It lifts them above themselves.

I’m not about to convert – I already have a religion – but their religiously-formed family life and their ordered existence even in the middle of chaos, revolution and war, made me feel a kindred with them.

And in that too, their religion feels real.

Whether it feels real for others, I don’t know. But to the author, it felt authentic.

Georgette Heyer and the Via Negativa

Recently I was reading Cotillion, by Georgette Heyer, and—

OK. Half of you are saying, “Who’s Georgette Heyer?” and the other half are saying, “Hey, you’re male.” Time for a recap.

Georgette Heyer was an author—or, so I gather, the author—of regency romances in the middle of the 20th century. Regency romances are romance novels set in Regency England, in the time after George III went made but before his death. I do not usually read romance novels, but there’s something about Heyer, as authors as diverse as Lois McMaster Bujold and Julie Davis have noted. She’s funny, she has great characters, she writes well; and when you’re in the mood for something light and frothy, they are great fun. I suspect that she is more akin to P.G. Wodehouse (though less farcical) than to the average romance novelist. And it would be hard to overstate her influence. Some years back there was a flood of novels intended as sequels or companions to Jane Austen’s Pride and Prejudice, and with the noted exception of Pride and Prejudice and Zombies the ones I glanced at all seemed to owe as much or more to Heyer as they did to Austen. She created her own fictional world, every bit as carefully constructed as a good science fiction or fantasy milieu, and millions have accepted it as the Real Thing. (Give her a try. Try Frederika. Or possibly Talisman Ring. Or maybe The Grand Sophy. I’ll wait.)

So anyway, I was reading Cotillion, in which a thirty-something man of property is travelling from London to the country to make an offer of marriage to a long-time acquaintance. He is not in love with her, or with anyone, but he’s the heir and it has been successfully impressed upon him that he must marry. He well likes his long-time friend, and so off he goes. On the way, he encounters a young woman of good family, great spirit, equal beauty, and little experience who is running away from home because her grandfather, the patriarch, won’t let her marry the man she wants to marry, because she is too young. What’s a gentleman to do? She has a grand strategy, but he can see it won’t answer. He can’t take her back to her family, because she won’t tell him who they are. He can’t leave her on her own; there are unscrupulous people about, don’t you know. Got to take her with him. And from there, of course, the tangles increase.

Now, here’s what led me to reflection. All of his acquaintance are wondering what has happened to him. They hear about the girl, and they all begin to jump to conclusions. Long, drawn out, extremely logical, plausible, believable conclusions, all of which happen to be quite wrong; and they go wrong for two reasons: first, they don’t have all of the information; and some of the information they do have they disbelieve. But as I say, their conclusions are, given the information they have and choose to believe, completely logical.

It occurred to me that we are in much the same position relative to God. It is possible (see Thomas Aquinas) to deduce the existence of God from first principles; and given that He exists, there are certain things that can proven about Him: that He is omnipotent and omniscient, for example. But is less obvious is that these statements are essentially negative. God is infinite, you see, not in the mathematical sense, but in the sense of being unbounded. We can put no bounds on His knowledge or His power. That doesn’t mean that we truly understand what it means to be omnipotent; we don’t. It is simply not conceivable to us.

And yet, on a daily basis we try to make sense of God, and thus to put bounds on Him. And perhaps we even reason logically, and come to valid conclusions, based on what we know for sure. But the one thing we can know for certain sure is that God eludes our intellectual grasp. This why Pope Benedict in his writings frequently refers to God as the “Wholly Other”.

And yet, all is not lost. We are doomed to intellectual failure, but we are not doomed altogether.

We cannot grasp God, not intellectually, and certainly not by reasoning from first principles. But He knows this, and He doesn’t leave us orphaned. Instead, He has revealed Himself to us, first through His history with the Israelites, and then in the person of Jesus Christ. He’s in fact told us quite a lot about Himself, and all we really need. It’s partial information, but it’s enough.

Of course, we still go astray intellectually, just as the various on-lookers in Cotillion do. But the confusion does not go on forever. In time the gentleman comes home, and the on-lookers are able to find out from him what’s really been going on. And so we can go to God; and so in time He’ll bring us to live with Him, we are allowed to hope, and we will see Him clearly, and all our questions will be answered.

Miskatonic School for Girls

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So we were given this game for Christmas: Miskatonic School for Girls. The basic notion is that you are a student in an elite girl’s school in Arkham Massachusetts, and the kicker is that all of the faculty members, from the headmaster on down, are Lovecraftian horrors bent on driving you insane. Your goal is to retain at least some of your sanity (you won’t keep all of it) longer than the other players.

The mechanics are interesting. This is a deck-building game: you’re trying to build a deck filled with spunky, tough students, filled with stern resolve, who won’t easily be driven insane. But your opponents are trying to stack your deck with nasty demented cosmic horrors—teachers, that is—who will make your class times a horror. You start with 20 sanity points, and as your sanity declines the rules require you to cackle and gibber fiendishly.

It’s an interesting game. We’ve played it twice now, and I’m dimly beginning to work out some strategies. You can try to buy students who will give you lots of points to buy more powerful students (to defend you) or faculty (to afflict your neighors), or you can try to buy students who will do well in the classroom against the horrors that Student Was Not Meant To Know. Whether it will hold up over time, I’m not sure; it strikes me that there’s not quite enough interaction between the players.

The younger of my two sons loves to play to lose, because he really likes gibbering and acting insane. It’s kind of scary.

Hide Me Among The Graves

Hide Me Among the Graves As soon as I saw Jeff Miller’s mention of Tim Power’s latest, Hide Me Among The Graves, a sequel to his 1989 book The Stress of Her Regard, I went out (metaphorically) and snagged an e-copy. I’ve been a Powers fan since the ’80’s, and pick up anything new whenever I happen to run across it.

Jeff describes it as a “vampire” story, which is not incorrect, but it’s also pretty much entirely misleading. Powers’ vampires are identified with the Nephilim of the book of Genesis; there’s more of stone than of flesh about them, and they have a tendency to get fixated on individual human beings. The thing is, they don’t usually kill their immediate victims, the ones they fixate on; but they are jealous and tend to kill anyone loved by their victims. This makes them hard to live with.

As is usual with Powers, there’s a historical angle. In this case the light shines on poet Christina Rosetti and her siblings, especially her brother Dante Gabriel Rosetti, one of the Pre-Raphaelite painters, and their friends, including poet Algernon Swinburne. The Rosettis, it develops, were the nieces and nephews of John Polidori, who was the author of Varney the Vampyre, a friend of Shelley, Byron, and company, one of the party at which Mary Shelley began to write Frankenstein, and a significant character in The Stress of Her Regard. As Polidori died under the influence of one of the Nephilim, one might say that he’s a signficant character in this book as well. See, here’s the thing: the Nephilim are like a kind of fatal muse, ultimately destructive but inspiring in the short term.

So anyway, I grabbed the book, and alas! it did not reciprocate. I don’t know whether it was the book, or whether it’s me—The Stress of Her Regard is probably my least favorite of Powers’ books—or whether I just wasn’t in the right mood, but I never really got into it. I finished it, mind you, but I read it in dribs and drabs instead of getting caught up in it and staying up too late.

Bottom line: if you’ve not read Powers, he’s worth reading; I’d start with The Anubis Gates, Last Call, or Declare. If you already know you like Powers, read The Stress of Her Regard first, and move on to this one if you like it.

I Left My Brains in San Francisco

I Left My Brain in San Francisco In I Left My Brains in San Francisco, Karina Fabian’s new novel, zombie exterminator Neeta Lyffe is travelling to San Francisco’s Moscone Center for ZomZeitgeber, the international zombie exterminator’s trade show. Yes, it’s a sequel to Neeta Lyffe, Zombie Exterminator, which somehow I unaccountably failed to review when I read it last year. This is frustrating, because I was all set to point at my old review and say “As before, so now.” Alas!

OK, here’s the shtick. In Neeta Lyffe’s world, zombies are a fact of life. Anyone who dies and is buried without a whole spine is at risk of coming back as a zombie; and anyone bitten by a zombie is likely to die and come back PDQ. In general folks have learned to live with this, calling in a professional zombie exterminator when they get out of hand. And zombie exterminators, needless to say, rely on a variety of weaponry up to and including hazmat suits and spray bottles of cleaning supplies…because zombies really hate cleaning supplies.

Did I say that Fabian’s playing this for laughs? She is. Horror, too, but mostly laughs.

In Neeta Lyffe, Zombie Exterminator, Neeta is tapped to be the host of a new reality show, Zombie Death Extreme, in which she trains a bunch of novices to be real zombie exterminators. Thing is, some of the zombies are real, and death is a real possibility. The producer’s a jerk (if I recall correctly), and Neeta hates the whole thing—she’s only doing because one of her customers (another jerk) sued her for property damage after she saved him from being zombified, and she needs the money. But she and her crew sure come in handy when there’s a massive zombie outbreak in Burbank, California. (Right across the freeway from Ikea and the Media City Center mall…Fabian described the geography so well that I could take you to the exact spot.)

In the new book, Neeta’s off to the trade show with her boyfriend; and of course, the course of true love does not Run Smooth. Plus, there’s another zombie exterminator hitting on her, and the zombie outbreak from the offshore eco-freak reef burial site. (Turns out that environmentalist zombies moan “Green!” as they attack you.)

I found this one to be more uneven than its predecessor; the romance subplot was occasionally tedious, and since the plot involves a new Government Motors vehicle that runs on fuel produced from human waste, the potty humor gets a little, um, ripe. But I enjoyed it; it’s a good, light read, and made me laugh. If Fabian produces another Neeta Lyffe book, I plan to buy it.

The Crimes of Galahad

The Crimes of Galahad The inimitable Dr. Boli has written his first novel, The Crimes of Galahad, the scandalous tale of one Galahad Newman Bousted, the self-proclaimed “wickedest man in the world.” Under the influence of a review of a book by the wicked French author the Conte de Baucher, he rejects the mawkish sentiments and morality of his shopkeeper father and determines to lead a life of evil: to wit, to concern himself not at all with morality but only with his own self-interest, rationally understood.

I don’t want to give the game away; if you’re familiar with Dr. Boli, you’ll know that things probably aren’t entirely what they seem, and that the Good Doctor has Views on where true rational self-interest will lead. The book is both funny and surprising, and I enjoyed watching how it played out. Here are a few quotes from the text:

To persist in evil requires dedica­tion and perseverance. At every step, the temptations to do good are numerous, and at times nearly over­whelming.

The truly evil man, which is to say the enlightened man, does not prize continence for its own sake; but any virtue may be a tool in the pursuit of that which he desires. This is an important principle that every aspiring evildoer ought to take to heart: the truly evil man does not hesitate to practice virtue when doing so conduces to his advantage.

I do not recall a single novel in which the action was confined to repeated sales of identical commercial goods.

Money can buy the satisfaction of almost any lust, whereas lust almost invariably eats up money. To the young man pursuing a life of wickedness, I have this advice to give: always put greed before lust when indulging your petty sins.

Nothing so effectually robs a man of his wickedness as this insidious passion: though lust be accounted a sin, it too often proves a cunning trap that pulls a man inexorably downward, away from his true self-interest, and toward that disinterested sort of love that desires the good of its object. The wickedest man in the world, giving in to his lust, may find himself positively virtuous before he knows it.

What a strange thing it is that a man who, in the eyes of all society, would be condemned as a vicious criminal if he ravished an unmarried woman, can be, by a few words spoken in a church, made into a paragon of virtue, with the uncontested right to ravish the same woman whenever he pleases!

One final thought. Although the book made me laugh, it’s by no means a farce; in retrospect, it’s a serious meditation on the relationship between virtue, goodness, and grace, on the limitations of purely human virtue, and on human nature and the natural law. I suspect I’m going to be pondering it for some while.

Captain Vorpatril’s Alliance

Captain Vorpatril's Alliance Captain Vorpatril’s Alliance is the latest book in Lois McMaster Bujold’s long-running Vorkosigan series of space operas. It takes place between Diplomatic Immunity and Cryoburn, and though Miles Vorkosigan makes a brief appearance this is a book solidly about Miles’ cousin Ivan Vorpatril.

Long-time readers of the series will be familiar with Ivan, who’s been a foil for Miles in a number of the books; he plays the comic relief in Cetaganda, gets trapped in a giant water pump in the Thames estuary in Brothers in Arms, throws Miles in a tub of ice water in Memory, and helps foil a plot or two in A Civil Campaign. Still, he’s usually the comic relief; and unlike his cousin he’s not at all the go-getter type. What Ivan wants is a quiet life; and for most of his life, due to his dreadful nearness to the throne of Barrayar, having a quiet life has required being unambitious and unnoticed. Ivan, like Claudius, has spent his life hiding his light under a bushel. We see this cover slip a bit in A Civil Campaign, where he gets caught up in some intrigue with Imperial agent Byerly Vorrutyer; and it comes all of the way off in this latest book.

It seems that Ivan (who’s not at all stupid, even though Uncle Aral has always called him “that idiot Ivan”) has risen to the rank of aide to the admiral in charge of operations for the entire Barrayaran fleet. He’s invaluable in that role because of his highly developed political sense, and he likes it because the admiral is a good boss, and he usually gets to stay in the capital, Vorbarr Sultana. As the book begins he’s on Komarr with the admiral conducting a surprise inspection, when Byerly Vorrutyer catches him and (Miles-like) gets him totally wrapped up in something that doesn’t concern him…until suddenly it concerns him very closely indeed. He might even (consternation, uproar!) end up….married!

I have long been in the habit of reading Bujold’s new books aloud to Jane. They read aloud well, and they are usually funny in spots, and we enjoy trying to figure out where’s she’s going before we get there. This one came out on the Tuesday, 6 November, and I had to finish reading it to her by Saturday, 10 November, because I was getting on a plane first thing on Sunday. It was rough, but I managed it, and enjoyed every minute.

The whole series is good; the worst are pretty good and the best are really amazingly good. The last really amazingly good one was A Civil Campaign, which is brilliant; the next two were at the lower end of the scale, and this one pleasantly comes in about the middle of the pack: a solid entry, and some good storytelling.

If you’ve not read anything by Bujold, start with Young Miles or Cordelia’s Honor and work your way through.