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About wjduquette

Author, software engineer, and Lay Dominican.

Orphans of the Sky, by Robert A. Heinlein

Probably every long-time science fiction fan has read Heinlein’s short
story “Universe”; as the first story to describe the now familiar
“generation ship” concept for planting space colonies, it’s been widely
anthologized. What I’d never realized is that Heinlein wrote a sequel to
it called “Common Sense”. Orphans of the Sky is simply the
pair of tales back to back.

The gimmick is simple. Earth launches a colony ship; it’s supposed to
get to Proxima Centauri a couple of generations later. But there’s a
mutiny shortly after launch, and in the ensuing fracas most of the
officers are killed. The remaining loyal crew drive off the “muties”,
but in the meantime the ship’s main drive has been turned off, and the
ship drifts quietly through space….for hundreds of years.

And then our story begins. The descendants of the mutineers, now
“muties” in truth, occupy the center of the ship and the areas of low
gravity, including the main control room; the descendants of the loyal
crew live in the high-gravity areas in a theocratic society based on what
little they can understand of the remaining science texts.

“Universe” has a warm place in my heart; it was truly a great story when
it was written. But the ideas in it have become commonplace, and the
writing isn’t stellar. I’d recommend this book for the Heinlein
completist only.

Harry Potter and the Chamber of Secrets

I took Dave to see Harry
Potter and the Chamber of Secrets
this afternoon, and was not
disappointed. The movie is as faithful to
J.K. Rowling’s
novel as the first one was, and the special effects were even better.
The spiders alone…well, without giving anything away, I wouldn’t be
at all surprised if Dave has nightmares. The whole thing was well worth
the money, and I’ll gladly pay for the DVD when it becomes available.

That said, the movie has the same flaws as its predecessor, only more so.
There’s too much crammed into it to really do most of the scenes justice.
Kenneth Branagh is outstanding as Gilderoy Lockhart, the Defense Against
the Dark Arts professor, but even he isn’t given quite enough screen time
to do the character justice. Must less time is given to developing the
characters of the principles, Harry, Ron, and
Hermione; they simply have too much to do to waste time being themselves.
The dialog suffers correspondingly. Some of the minor characters seemed
rather wooden as well. Draco Malfoy wasn’t nearly as satisfyingly
poisonous as in the first movie, and Moaning Myrtle could have said her
lines better as well.

But, when all is said and done, I’m satisfied. I think of it as a series
of illustrations for the book, and at that it succeeds very well.

I’ll pick just one nit: mythologically speaking, basilisks are lizards, not
snakes. But I can’t blame the folks who made the movie for that.

Lords and Ladies, by Terry Pratchett

The witches have returned from their trip to Genua and are settling back
into their lives in Lancre. Magrat Garlick is going to marry King Verence
who used to be a Fool and is now the King. And crop circles keep turning
up all over the place. Plus there is a new contingent of young girls
dressed in black who want to be witches to plague Granny Weatherwax. She
has her hands full since the crop circles are a sign that the Lords and
Ladies, euphemism for Elves, are trying to come back.

This one wasn’t as good as the previous witch books by Pratchett. There
are some funny bits, like Magrat wandering around the castle bored out of
her mind. And there is the long ago story of Mistrum Ridcully and Granny
Weatherwax. And the Librarian has a humorous part to play. But Pratchett
wasn’t at his best, which means the book is still wonderful, just not so
funny you have to stop reading to let the tears clear from your eyes.
Anything with Granny Weatherwax is worth the time.

Buy it, read it, enjoy!

Witches Abroad, by Terry Pratchett

Today I spent most of the day at home with a sick kid. She called me
shortly after I got to work and way before I had consumed enough coffee
to face the spreadsheets I had planned on tackling this morning. Anyway,
when I got her home, medicated with Tylenol and tucked in, the couch
called me. Loudly. But, of course, any really fine nap is preceded by a
short read in a good book so I picked up my son’s copy of Witches
Abroad
and started in. And two hours later I finished it. So much for
napping.

This is another Pratchett book about Granny Weatherwax, Nanny Ogg and
Magrat Garlick. After Desiderata, the good fairy godmother, placidly dies
leaving her magic wand to Magrat, they must travel to the city of Genua
to prevent the marriage of the girl to the handsome prince. Along the way
they take the magic out of just about every fairy tale told to children.
It reminded me of the spot on the Rocky and Bullwinkle show called
“Fractured Fairy Tales” that I loved as a child. And Pratchett has this
way of writing that includes little comments that are hysterically funny.
There’s one about panty girdles that I had to put the book down til my
eyes quit tearing up from laughing so hard. His nod to Tolkein is a
hoot, too.

As always with Pratchett books, buy them, read them, enjoy!

Good Eats Watch

A couple of years ago, the TV show “Good Eats”
did a Thanksgiving special called “Romancing the Bird”, all about how to
prepare turkey. It was a good show. A week later, “Good Eats” was
“preempted” by a “documentary” about the making of “Romancing the Bird”.
(The “documentary” was in fact just an episode of “Good Eats” in
disguise.) A young filmmaker, Blair McGuffin, and her crew had
supposedly been following Alton Brown and his crew about during the
making of “Romancing the Bird”, but it was after shooting was finished
that the real drama began: it started to snow. Within hours a full inch
of snow had fallen and the city of Atlanta, Georgia was paralyzed. There
was no way for the “Good Eats” crew to disperse to their homes. There
followed a week of isolation, dread, and….lots of turkey leftovers.

It’s one of their best shows, and when they re-ran it this past Wednesday
night we had the opportunity to analyze it a little. The highlight of
the show is when AB’s cooking equipment lady, “W” (think James Bond) is
revealed to be…a cyborg. “C’mon,” says AB. “Nobody living could
possibly talk like that.” Apparently they use W to store all of the data
from their past shows; as AB speaks he’s got her hooked up to a PalmPilot
and a folding PalmPilot keyboard.

Then there’s the “Big Brother” like moment when, late at night,
Blair McGuffin tearfully confesses to the camera how hungry she is
(they’ve been on short rations) and how guilty she feels at lifting the
key to the ‘fridge. About that point the amorous and revolting Cousin
Ray sneaks up behind her and the camera fades out.

Then, finally, there’s the name: “Blair McGuffin”. “Blair”, of course,
from another noted “documentary”, “The Blair Witch Project”. But then
there’s that word “McGuffin”. In film, “McGuffin” is the name for the
device or plot element that drives the logic of the plot. And, in the
context of this episode of “Good Eats”, that’s Blair McGuffin in a
nutshell.

Prince Caspian, by C.S. Lewis

Just the other night, David and I finished reading Prince
Caspian
together. It was lovely: Lewis’ prose is a joy to read
aloud, just flowing off of my tongue effortlessly. For comparison,
after even a couple of pages of Redwall I was tired and ready
to stop. Part of the difference is that Redwall is written in
a cinematic style; it’s as though a camera is following the characters
around. Lewis, on the other hand, is an old-fashioned story-teller.
Where it’s appropriate to be terse and just tell us something, he does
so without dramatizing it. But that’s not the whole difference; Lois McMaster
Bujold
writes in a cinematic style, and her prose is also lovely
to read aloud. I dunno.

I’d never Prince Caspian aloud before, or so slowly
(one chapter a night), and so I’d never really noticed what an odd
book it is. It’s supposedly about Prince Caspian’s efforts to regain
his throne from his usurping Uncle Miraz with the aid of “Old Narnia”
(the Talking Beasts, dwarves, woodnymphs, and of course Peter, Susan,
Edmund, and Lucy). And yet the central conflict in the book has nothing
to do with Caspian at all. Morally speaking, the book is about Lucy and
her willingness to follow Aslan’s guidance even if it means angering her
siblings, or even leaving them behind. Lewis
devotes the better part of three chapters to it, in what is (after all) a
very short book. And upon reflection, it becomes clear that Caspian’s
victory and the salvation of Narnia are both rooted in Lucy’s courage in
following Aslan in the face of stern opposition. Interesting.

Tanner On Ice, by Lawrence Block

This is a reprise of a character Block created in the 60’s, fast
forwarded into the late 90’s. I haven’t read the rest of the series with
Evan Tanner so perhaps my critique is not valid but I found this whole
book just plain cheesy.

Ok, so maybe that is a little harsh. Evan Tanner is brought back to life
after a Swedish Nationalist splinter group puts him into a cryonic coma
because they want him out of the way and yet, being highly evolved
humans, don’t want to kill him. Yeah, right. After springing from his
hospital bed with no side effects except a tendency to be chilly, he goes
back to his old apartment, which is still there after 25 years, and finds
his name on the doorbell. And the child he had taken in has grown up into
a breathtakingly gorgeous woman who home schooled herself without anyone
noticing and kept his apartment for him. Yeah, right. Then we get to
watch as Tanner “catches” up on the happenings of the last 25 years via
Internet which only takes 6 months because he doesn’t have to sleep. His
sleep center has been destroyed by shrapnel in the Korean war. Yeah,
right. So somehow, he finds himself going to Burma on some lame scheme
for some guy he worked for all those years ago. Now th e book turns from
sci fi to thriller and we get to watch Tanner walk thru Burma with this
bombshell chick he picked up, both of them posing as Buddhist monks and
no one stops them. James Bond, eat your heart out.

The whole book is cheesy, lame and just plain silly in parts. I finished
it, though, which says something.

The Hundred Days, by Patrick O’Brian

Being at home sick for a day, I put the Burton bio aside for awhile and
picked up this, the penultimate volume in O’Brian’s long, long saga.
I’ve gotten the impression from little things I’ve seen here and there
that many fans don’t think much of it; and to be fair it never really
seems to catch fire. Plus, O’Brian did some really obnoxious things.
The book begins with a passing mention of the death of Stephen’s wife
Diana; and toward the end another of my favorite continuing characters is
killed with hardly any notice taken–and to no literary end that I can
see.

Apart from that it’s a pleasant enough book; lots of nautical to-ing and
fro-ing about the Mediterranean Sea and a few nice sea battles, with the
escaped Bonaparte floating about Europe and a complicated Islamic plot to
help him back into power. Of course, by the time Aubrey succeeds in
forestalling said plot Wellington has succeeded in defeating Bonaparte at
Waterloo, rendering the whole thing rather moot.

I have some suspicions on where O’Brian might have been going. I say
“might have been”, because I haven’t yet read the final book,
Blue at the Mizzen, and because he had just begun writing a
subsequent book when he died. But in the previous book,
The Yellow Admiral, Stephen meets a lovely woman, a
naturalist in her own right, and the wife of the governor of Sierra
Leone. Though she doesn’t appear in this book she’s mentioned a number
of times; and it’s rather pointedly mentioned that (1) the governor has
just died, and (2) the marriage was not as happy as it appeared to be,
and in fact was never consummated. It begins to look as though O’Brian
was getting Diana out of the way, so as to interest Stephen in somebody
new.

So I’m quite curious to see what happens in Blue at the Mizzen,
a book about which I’ve heard none of the unpleasant little whispers. But
that’s a tale for next month.

The Burglar in the Closet, and The Burglar Who Painted Like Mondrian, by Lawrence Block

When I was a kid I worried that someday, in the distant future, I
would run out of good books to read. Seriously. Thinking back, that
probably speaks more to my innocence and ignorance than to my taste in
books at the time. But I did and now, many, many, MANY moons later, I
have yet to hit that tragic moment. And I highly doubt that I
will. This has little to do with Lawrence
Block
‘s books except that they are a new discovery for me and
whenever I find a new author to read I experience a slight feeling of
relief. I haven’t run out yet.

Anyway, these were my first two Bernie Rhodenbarr mysteries and already I
have figured out Block writes with a formula. Bernie breaks into
someone’s house after some sort of treasure, something goes wrong, like a
murder, and he has to solve the crime himself or get the rap pinned on
him. A formula book is comforting. You can sit back and watch how the
writer varies it without horrid little surprises coming your way. And
Block is funny, an added bonus. The Mondrian book was a little more
developed than the Closet book. Block had developed additional characters
and expanded Bernie’s social life a bit. He has found his sidekick in
Carolyn, the lesbian owner of a dog washing business. And he has
developed Ray Kirschmann, the cop on the take who somehow always ends up
helping Bernie out of the mess he finds himself in.

These are good books. Not great literature and not really even classics
in the mystery genre. Just plain good reads. And there are lots of them
so I don’t have to worry about running out of good books for awhile. Phew.