Toy Story 3

So we went to see Toy Story 3 this evening, the whole kit’n’kaboodle of us. Was it good? Of course. Did I get all sentimental and teary-eyed at the end? I always do. Was it better than Toy Story 2? Not so much.

In fact, there’s a lot about Toy Story 3 that reminds me of its predecessor. I won’t go into details, as some of you won’t have seen it yet, but I think this is the first Pixar outing that repeats a successful formula.

Nevertheless I enjoyed it, and it had its moments. I especially enjoyed the stuffed totoro.

Adiaphora

As people in general began to be better educated in the late 1800’s, the intellectuals, feeling that their turf was being trespassed upon, began to refer to people in general as “the masses.” The effect of this term was to dehumanize “the masses,” to whom all manner of unlikeness to the speaker could be attributed. Rick Saenz has been reading about this, and has been reflecting on the equivalent tendency in our day to speak of the Leftists, or the Conservatives, or the racists, or the sexists, or (in general), Those Nuts Over There, and thereby marginalize and dehumanize them in our discourse. Eventually he says (my emphasis),

Outer darkness comes in many forms, and there is no small pleasure to be had in consigning others to it, since it reinforces the idea that God has very strict standards for choosing those He will love—and it’s sweet to have made the cut.

Lately I’ve been exploring the opposite attitude, namely that if it is something that separates me from a (potential) brother—and who isn’t a potential brother?—then it is adiaphora, neither mandated nor forbidden. I don’t want to deal with the difficult cases by dehumanizing them in order to consign them to outer darkness, I want to confront them in their rich, complex, confusing, mixed-bag humanity.

It seems clear to me that the bolded statement is simply false. There certainly are things within any given belief system that are adiaphora, that two men who both orthodox may yet disagree about; and if the two men are equally orthodox, then indeed, anything that separates is adiaphora. If they are imperfectly orthodox (and who isn’t), then their disagreement may be considerably more substantive. If they do not agree about what orthodoxy is, then their disagreement is even more so.

I agree with Rick’s basic point, however—consigning people to “the outer darkness” is a bad thing. My own reflections led me to ask a number of questions. (Please note: I’m not thinking about any specific person in any of these reflections.)

Q1: When can we give up on another’s salvation? In other words, when can we assume that another person is simply, utterly, irrevocably and irredeemably wrong? It’s quite clear that the answer to that is Never, this side of the grave. They might be in grave sin; they might be violently opposed to the Faith; and yet where there’s life, there’s hope. At least one Dominican saint, Blessed Bartolo Longo, was a satanist as a young man.

Q2: When can we assume that someone’s salvation might be in danger? By their public words and deeds. If they are doing and saying things that are objectively sinful, then there is reason to worry. But see Q1. And then, how do I know about their public words and deeds? If I didn’t witness them in person, I should probably take the reports with a grain of salt.

My appropriate response, in this case, ought to be to pray for the individual at the very least. If I’m personally acquainted with the person—if he is my brother in practice as well as in theory—it might be my duty to speak with him. In either case, it will very rarely be my duty to speak about him or his putative sins to anyone else.

Q3: When can we eject someone from our communion? Mr. So-and-So says that he is a member of our church; but his public behavior is a scandal, and he frequently casts doubt in on our church’s teachings. At what point is it reasonable to tell him, “We’re sorry, you’re not a member of our church anymore.”? In the Catholic Church, at least, the answer is, again, Never. Baptism effects an ontological change in the baptized; in a very real way, one can no more cease to be Catholic than one can cease to be human. One can, however be excommunicated, which is different than being cast out of the church. Rather, the excommunicated one is cut off from the sacraments, in an attempt to bring home to them the enormity of their actions, with the intent of bringing about repentance and reconciliation. The goal isn’t to make them go away; it’s to begin a dialog to draw them back in.

Q4: Are we ever justified in casting someone out of our lives? The answer here is Certainly. I can think of two reasons right off of the bat. The first is for the physical and emotional protection of ourselves and our families. I needn’t, for example, invite a registered sex offender into my home to play with my small children. Someone must minister to him; but I need not put myself or my children in jeopardy to do so.

The second is when the personal is an occasion or near-occasion of sin for me. If I cannot speak to the person without becoming enraged, I must avoid him (or, at least, avoid speaking to him). If I cannot hang out with the person without participating in sinful activities, I must not hang out with him. Even in terms of Christian ministry, if I cannot minister to someone without falling into sin, I must let someone else minister to that person. My first duty is to the state of my own soul; Christ won’t ask me to do anything that would lead me astray.

On Not Writing Much

Rick Saenz has an interesting post on the subject of writing less material for public consumption rather than more. I’d like to say that this is why I’ve been blogging less over the last year or so, and to a certain extent it’s true; rather than blogging as a daily habit, I’m blogging when I’ve got something I want to say. Whether I’m saying it all that well is another question.*

* Please don’t respond to that; I’m not fishing for compliments.

Animated Movie Meme

This is cool mostly because it’s such a thorough list. From Brandon.

X what you’ve seen
O what you saw some but not all of
Bold what you particularly liked
Strike-through what you hated

CLASSIC DISNEY
——————————-
[ X ] 101 Dalmatians (1961)
[ X ] Alice in Wonderland (1951)
[ X ] Bambi (1942)
[ X ] Cinderella (1950)
[ X ] Dumbo (1941)
[ X ] Fantasia (1940)
[ X ] Lady and the Tramp (1955)
[ X ] Mary Poppins (1964)
[ X ] Peter Pan (1953)
[ X ] Pinocchio (1940)
[ X ] Sleeping Beauty (1959)
[ X ] Snow White and the Seven Dwarfs (1937)
[ ] Song of the South (1946)

DISNEY’S DARK AGE
——————————-
[X] The Aristocats (1970)
[X] The Black Cauldron (1985)
[ ] The Fox and the Hound (1981)
[X] The Great Mouse Detective (1986)
[X] The Jungle Book (1967)
[X ] The Many Adventures of Winnie the Pooh (1977)
[ ] Oliver and Company (1986)
[ ] Pete’s Dragon (1977)
[O] The Rescuers (1977)
[X] Robin Hood (1973)
[X] The Sword In The Stone (1963)

THE DISNEY RENAISSANCE
——————————-
[X] Aladdin (1992)
[X] Beauty and the Beast (1991)
[ ] A Goofy Movie (1995)
[X] Hercules (1997)
[ ] The Hunchback of Notre Dame (1996)
[O] The Lion King (1994)
[X] The Little Mermaid (1989)
[X] Mulan (1998)
[ ] Pocahontas (1995)
[O] The Rescuers Down Under (1990)
[X] Tarzan (1999)

DISNEY’S MODERN AGE
——————————-
[ ] Atlantis: The Lost Empire (2001)
[ ] Bolt (2008)
[ ] Brother Bear (2003)
[ ] Chicken Little (2005)
[ ] Dinosaur (2000)
[X] The Emperor’s New Groove (2000)
[ X] Fantasia 2000 (2000)
[ ] Home on the Range (2004)
[X] Lilo & Stitch (2002)
[ ] Meet the Robinsons (2007)
[ ] Treasure Planet (2002)

PIXAR
——————————-
[X] A Bug’s Life (1998)
[X] Cars (2006)
[X] Finding Nemo (2003)
[X] The Incredibles (2004)
[X] Monsters Inc. (2001)
[X] Ratatouille (2007)
[X] Toy Story (1995)
[X] Toy Story 2 (1999)
[X] Wall-E (2008)
[X] Up (2009)

DON BLUTH
——————————-
[ ] All Dogs Go to Heaven (1989)
[ ] An American Tail (1986)
[ ] An American Tail: Fievel Goes West (1991)
[ ] Anastasia (1997)
[ ] The Land Before Time (1988)
[ ] The Pebble and the Penguin (1995)
[ ] Rock-a-Doodle (1991)
[O] The Secret of NIMH (1982)
[ ] Thumbelina (1994)
[ ] Titan AE (2000)
[ ] A Troll in Central Park (1994)

CLAYMATION
——————————-
[ ] The Adventures of Mark Twain (1986)
[X] Chicken Run (2000)
[ ] Coraline (2009)
[ ] Corpse Bride (2005)
[ ] James and the Giant Peach (1996)
[ ] The Nightmare Before Christmas (1993)
[X] The Puppetoon Movie (1987)
[X] Wallace & Gromit: The Curse of the Were-Rabbit (2005)

CGI GLUT
——————————-
[X] Antz (1998)
[ ] Happy Feet (2006)
[X] Kung Fu Panda (2008)
[ ] Madagascar (2005)
[ ] Monster House (2006)
[ ] Over the Hedge (2006)
[ ] The Polar Express (2004)
[X] Shrek (2001)
[ ] Shrek 2 (2004)
[ ] Shrek The Third (2007)
[ ] Monsters vs. Aliens (2009)
[ ] How to Train Your Dragon (2010)

IMPORTS
——————————-
[ ] Arabian Knight
[ ] Back to Gaya
[ ] The Last Unicorn (1982)
[ ] Light Years (1988)
[ ] The Triplets of Belleville (2003)
[ ] Persepolis (2007)
[ ] Planet 51 (2009)
[ ] Waltz With Bashir (2008)
[ ] Watership Down (1978)
[ ] When the Wind Blows (1988)
[X] Yellow Submarine (1968)

STUDIO GHIBLI/MIYAZAKI
——————————-
[ ] The Cat Returns (2002)
[ ] Grave of the Fireflies (1988)
[X] Howl’s Moving Castle (2004)
[X] Kiki’s Delivery Service (1989)
[X] Laputa: Castle in the Sky (1986)
[ ] Lupin III: The Castle of Cagliostro (1979)
[ ] My Neighbors The Yamadas (1999)
[X] My Neighbor Totoro (1993)
[O] Nausicaä of the Valley of the Wind (1984)
[ ] Only Yesterday (1991)
[ ] Pom Poko (Tanuki War) (1994)
[X] Porco Rosso (1992)
[X] Princess Mononoke (1999)
[X] Spirited Away (2002)
[ ] Whisper of the Heart (1995)
[X] Ponyo on a Cliff by the Sea (2009)
[ ] Panda! Go Panda!
[ ] Tales from Earthsea
[ ] Horus, Prince of the Sun

SATOSHI KON
——————————-
[ ] Millennium Actress (2001)
[ ] Paprika (2006)
[ ] Perfect Blue (1999)
[ ] Tokyo Godfathers (2003)

SHINKAI MAKOTO
——————————-
[ ] She and Her Cat (1999)
[ ] Voices of a Distant Star (2001)
[ ] The Place Promised in Our Early Days (2004)
[ ] 5 Centimeters per Second (2007)

OTHER ANIME FILMS
——————————-
[ ] Akira (1989)
[ ] Appleseed (2004)
[ ] Appleseed: Ex Machina (2007) –
[ ] Arcadia of My Youth (U.S. Title – Vengeance of the Space Pirate) (1982)
[ ] Cowboy Bebop: The Movie (2003)
[ ] The Dagger of Kamui (U.S. Title – Revenge of the Ninja Warrior) (1985)
[ ] Dirty Pair: Project Eden (1987)
[ ] End of Evangelion (1997)
[ ] Gundam Wing: Endless Waltz (1998)
[ ] Fist of the North Star (1986)
[ ] Galaxy Express 999 (1979)
[ ] Ghost in the Shell (1996)
[ ] The Girl Who Leapt Through Time (2006)
[ ] Lensman (1984)
[ ] Macross: Do You Remember Love (U.S. Title – Clash of the Bionoids) (1984)
[ ] Metropolis (2001)
[ ] Neo-Tokyo (1986)
[ ] Ninja Scroll (1993)
[ ] Origin: Spirits Of The Past
[ ] Patlabor the Movie (1989)
[ ] The Professional: Golgo 13 (1983)
[ ] Project A-ko (1986)
[ ] Robot Carnival (1987)
[ ] Robotech: The Shadow Chronicle (2006)
[ ] Silent Möbius (1991)
[ ] Space Adventure Cobra (1982)
[ ] Steamboy (2004)
[ ] Sword of the Stranger (2007)
[ ] Unico and the Island of Magic (1983)
[ ] Urotsukidoji: The Movie (1987) Never will I see this of my own volition.
[ ] Vampire Hunter D (1985)
[ ] Vampire Hunter D Bloodlust (2000)
[ ] Wings of Honneamise: Royal Space Force (1987)

CARTOONS FOR GROWN-UPS
——————————-
[ ] American Pop (1981)
[ ] The Animatrix (2003)
[ ] Beavis & Butthead Do America (1996)
[ ] Cool World (1992)
[ ] Final Fantasy: The Spirits Within (2001)
[ ] Final Fantasy: Advent Children (2005)
[ ] Fire & Ice (1983)
[ ] Fritz the Cat (1972)
[X] Heavy Metal (1981)
[ ] Heavy Metal 2000 (2000)
[ ] Hey Good Lookin’ (1982)
[ ] Lady Death (2004)
[ ] A Scanner Darkly (2006)
[ ] South Park: Bigger, Longer & Uncut (1999)
[ ] Street Fight (Coonskin) (1975)
[ ] Waking Life (2001)

OTHER ANIMATED MOVIES
——————————-
[ ] Animal Farm (1954)
[ ] Animalympics (1980)
[ ] Aqua Teen Hunger Force Colon The Movie (2007)
[ ] Batman Beyond: Return of the Joker
[ ] The Brave Little Toaster (1988)
[ ] Bravestarr: The Movie (1988)
[ ] Cats Don’t Dance (1997)
[ ] Care Bears: The Movie (1985)
[ ] Charlotte’s Web (1973)
[ ] Fern Gully (1992)
[ ] G.I. Joe: The Movie (1987)
[ ] Gobots: Battle of the Rock Lords (1986)
[ ] He-Man & She-Ra: The Secret of the Sword (1985)
[X] The Hobbit (1977)
[ ] The Iron Giant (1999)
[ ] Justice League: The New Frontier (2008)
[X] Lord of the Rings (1978)
[ ] Little Nemo: Adventures in Slumberland (1992)
[ ] My Little Pony: The Movie (1986)
[X] Pink Floyd’s The Wall (1982)
[ ] The Prince of Egypt (1998)
[ ] Powerpuff Girls: The Movie (2002)
[ ] Quest For Camelot (1999)
[ ] Ringing Bell (1978)
[ ] The Road to El Dorado (2000)
[ ] Rock & Rule (1983)
[O] Space Jam (1996)
[ ] Starchaser: The Legend of Orin (1985)
[ ] Superman: Doomsday (2007)
[ ] The Swan Princess (1994)
[ ] Transformers: The Movie (1986)
[ ] Wizards (1977)
[X] Who Framed Roger Rabbit (1988)
[ ] Wonder Woman (2009)
[ ] Balto (1995)
[ ] Spirit: Stallion of the Cimarron (2002)

ADDENDUM
[ ] 9 (2009)
[ ] The Ant Bully (2006)
[ ] Batman: Mask of the Phantasm
[ ] Bee Movie (2007)
[ ] Beowulf (2007)
[ ] The Chipmunk Adventure (1987)
[ ] Cloudy With a Chance of Meatballs (2009)
[ ] Felix the Cat: The Movie (1988)
[X] Flushed Away (2006)
[ ] Happily N’Ever After (2007)
[ ] Hoodwinked (2005)
[ ] Horton Hears a Who (2008)
[ ] Ice Age (2002)
[ ] Ice Age: The Meltdown (2006)
[ ] Ice Age: Dawn of the Dinosaurs (2009)
[ ] Jimmy Neutron: Boy Genius (2001)
[ ] Madagascar: Escape 2 Africa (2008)
[ ] Open Season (2006)
[ ] Pokemon: The First Movie (1999)
[ ] The Princess and the Frog (2009)
[ ] Robots
[X] The Rugrats Movie (1998)
[ ] Shark Tale (2004)
[ ] Shrek Forever After (2010)
[ ] The Simpsons Movie (2007)
[ ] Sinbad: Legend of the Seven Seas (2003)
[X] Space Chimps (2008)
[ ] The Spongebob Squarepants Movie (2004)
[ ] The Tale of Despereaux (2008)
[ ] Valiant (2005)
[ ] We’re Back! A Dinosaur’s Story (1993)

ADDENDUM II
[ ] Mind Game
[ ] The Secret of Kells
[ ] Shonen Sarutobi Sasuke (U.S. title “Magic Boy”)
[ ] Princess Arete
[ ] Urusai Yatsura: Beautiful Dreamer
[ ] Cat Soup
[ ] Summer Wars

The Founding of Christendom

The Founding of Christendom, by Warren H. Carroll, is the first volume in a projected six-volume series of the history of Christendom from the earliest days until the present. Five of the six volumes are now in print. By the term Christendom, Carroll harks back to the age when the Christian world was more or less united, first in both religion and politics, then in religion only—back to the birth, in fact, of Western Civilization. This volume covers the span from the beginning of time, more or less, up until the Emperor Constantine.

As such, he’s writing sacred history rather than secular history, and sacred history from an explicitly (and unabashedly) Catholic point of view. The difference is one of method. The secular historian, though he may be a believer, does not take the truth of his religion as part of the data he uses to explain and describe the course of history. The sacred historian does. Both methods are fraught with peril.

If Christianity is true, then the Incarnation is simply the central fact of all human existence. History which ignores this fact, then, runs the risk of missing the main point, and can also get into all sorts of knots. During the 19th and 20th century, for example, followers of the historical-critical method of scripture scholarship rejected the traditional dates for the writing of many of the books of the Bible, on the basis of “internal evidence”. The logic was often of this kind: this book contains statements that appear to prophesy this historical happening. Such “prophecy” must therefore have been written after the historical happening it describes. Therefore, the book wasn’t written when tradition says it was written, but fifty, one-hundred, two-hundred years later.

There is a hidden premise in this chain of reasoning: that historical events can never be prophesied in advance. And this use of the historical-critical method was driven by a secularizing desire to “de-fang” Christianity of its supernatural elements. But if Christianity is true, it is precisely those supernatural elements on which it insists. But whatever the cause, bad scholarship leads one to be build amazing houses-of-cards; and it’s my understanding that those houses are collapsing and scripture scholarship is returning more or less to the traditional dating for the books of the Bible.

So Carroll’s project is a worthy one; written from an explicitly Catholic point of view, he rejects the ideological incredulity that prevents us from seeing the Hand of God at work among us.

But there’s a great possibility of error on Carroll’s side, as well, the possibility of excess of credulity. His book is full of events and written sources that historians generally reject, for reasons, according to Carroll, like those I’ve described above, but that Carroll, doing his research with the eyes of faith has decided are likely true. And that’s the great difficulty with this book. I’m a bit of a history buff, but I’m not a historian; and if Carroll goes too far, I’m not sure how I’d know. Given that he rejects conventional wisdom so frequently, it seems likely that he does.

All that said, each chapter of the book is accompanied by many pages of end notes, citing sources, especially those of the authors who disagree with him. I cannot question Carroll’s integrity as a scholar; rather, he seems to be playing fair. It’s his judgement I’m unsure of.

So much for sacred vs. secular history; how is The Founding of Christendom as a book? How is it as a way to become familiar with the sweep of human history?

First, Carroll’s book is quite readable and informative. I learned a few things, and was told a number of others that I’m curious to look into further. It casts an interesting light on ages and events that I’ve already read a fair amount about. Sacred history usually focusses on the history of the Church; Carroll is focussing on the things that secular historians usually write about, but from a Christian slant. I like that.

The big question, though, is whether this would be a good first book on this period of time, for a reader who is unfamiliar with it, and I’m not at sure that it would. As I indicated above, some of Carroll’s conclusions strike me as being possibly rather idiosyncratic; and then, he seems to assume that the reader has at least a cursory familiarity with the broad sweep of things. Thus, it might be best to acquire that familiarity elsewhere.

I’ve not yet decided whether or not I’ll look up the second book in the series.